FILM

Drot, Jean-Marie. A Game of Chess with Marcel Duchamp. Chicago: Home
Vision Entertainment, 1987. Available in VHS format from Movies Unlimited,
800-466-8437. Item number 225480.

WEB SITES

Alfred Stieglitz
WNET American Masters Series

Minneapolis Institute of Arts

Alfred Stieglitz: Known and Unknown, National Gallery of Art, Washington, D.C.

Marcel Duchamp
Marcel Duchamp World Community

Georgia O’Keeffe
WNET American Masters Series

Chronology of O’Keeffe’s life
Georgia O’Keeffe Museum

GENERAL INFORMATION

Timeline of U.S. history, 1915–1925
Digital Scriptorium, Duke University

TIMELINE OF THE TWENTIETH CENTURY

Nueva School Library

WORLD WAR 1 TIMELINE

PBS

INTERACTIVE WEB PROJECT SHOWING THE DEVELOPMENT OF MANHATTAN’S SKYSCRAPERS

The Skyscraper Museum, New York

PRINTED SOURCES

This bibliography is a focused compilation of sources rather than an exhaustive one. It is taken from the exhibition catalogue Debating American Modernism: Stieglitz, Duchamp, and the New York Avant-Garde.

Addington, Sarah. “New York is More Alive and Stimulating Than France Was, Say Two French Painters.” New York Tribune, October 9, 1915, p. 7.

Alfred Stieglitz Presents One Hundred Pictures: Oils, Watercolors, Pastels, Drawings by Georgia O’Keeffe, American. New York: Anderson Galleries, 1923. Exh. brochure.

Alfred Stieglitz Presents Seven Americans: 159 Paintings, Photographs, and Things Recent and Never Before Publicly Seen. New York: Anderson Galleries, 1925. Exh. cat.

Alfred Stieglitz/Georgia O’Keeffe Correspondence, Yale Collection of American Literature, Beinecke Library, Yale University, New Haven, Conn.

Anderson, Sherwood. “Alfred Stieglitz.” The New Republic 35 (October 25, 1922): 215–17.

_______. A Story Teller’s Story. New York: Penguin Books, 1969.

Anger, Jenny, and David A. Brenneman. “Music and the Aesthetic of Masculine Order, as Proposed by A. J. Eddy and W. H. Wright.” In Over
Here! Modernism, the First Exile. Providence: David Winton Bell Art Gallery, Brown University. Exh. cat.

Antliff, Allan. Anarchist Modernism: Art, Politics, and the First American Avant-Garde. Chicago: University of Chicago Press, 2001.

Balken, Debra Bricker. Arthur Dove: A Retrospective. Andover: Addison Gallery of American Art, and Cambridge, Mass.: MIT Press, 1997. Exh. cat.

Bederman, Gail. Manliness and Civilization: A Cultural History of Gender and Race in the United States, 1880–1917. Chicago: University of Chicago Press, 1995.

The Blind Man, nos. 1–2 (1917).

Bochner, Jay. “New York Secession.” In Modernism: Challenges and Perspectives. Eds. Monique Chefdor, Richard Quinones, and Albert Wachtel. Urbana and Chicago: University of Illinois Press, 1986, pp. 180–211.

The Book Room: Georgia O’Keeffe’s Library in Abiquiu. New York: Grolier Club and the Georgia O’Keeffe Foundation, 1997. Exh. cat.

Brennan, Marcia. Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics. Cambridge, Mass.: MIT Press, 2001.

Cabanne, Pierre. Dialogues with Marcel Duchamp. Trans. Ron Padgett. New York: The Viking Press, 1971.

Caffin, Charles. “Four Musketeers of Modernism.” New York Tribune, April 10, 1916, p. 7.

Camera Work, nos. 26–49/50 (1908–1917).

Camfield, William A., and Jean-Hubert Martin. Tabu Dada: Jean Crotti and Suzanne Duchamp, 1915–1922. Bern: Kunsthalle Bern, 1983. Exh. cat.

Connor, Celeste. Democratic Visions: Art and Theory of the Stieglitz Circle, 1924–1934. Berkeley: University of California Press, 2001.

De Casseres, Benjamin. “American Indifference.” Camera Work, no. 27 (July 1909): 24–25.

_______. “The Great American Sexquake.” The International: A Review of Two Worlds 8 (June 1914): 195.

_______. “The Ironical in Art.” Camera Work, no. 38 (October 1912): 17.

_______. “The Unconscious in Art,” Camera Work, no. 36 (October 1911): 214.

Champa, Kermit. “Charlie Was Like That.” Artforum 12, no. 6 (March 1974): 54–59.

Cheney, Sheldon. A Primer of Modern Art. New York: Boni and Liveright, 1924.

“A Complete Reversal of Art Opinions by Marcel Duchamp, Iconoclast.” Arts and Decoration, September 1915, pp. 427–28.

Corn, Wanda. “Apostles of the New American Art: Waldo Frank and Paul Rosenfeld.” Arts Magazine 54, no. 6 (February 1980): 159–63.

_______. The Great American Thing: Modern Art and National Identity, 1915–1935. Berkeley: University of California Press, 1999.

Dell, Floyd. “Speaking of Psycho-Analysis, The New Boom for Dinner Table Conversation.” Vanity Fair 5, no. 4 (December 1915): 53.

Dodge, Mabel, and Gertrude Stein. A History of Having a Great Many Times Not Continued to Be Friends. Ed. Patricia Everett. Albuquerque: University of New Mexico Press, 1996.

Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 1920s. New York: Farrar, Straus and Giroux, 1995.

Duchamp Archives, Philadelphia Museum of Art, Philadelphia.

Duchamp, Marcel. “The Iconoclastic Opinions of M. Marcel Duchamps [sic] concerning Art and America.” Current Opinion 59 (November 1915): 346–47.

_______. “The Nude-Descending-a-Staircase Man Surveys Us.” New York Tribune, September 12, 1915, sec. 4, p. 2.

_______. The Writings of Marcel Duchamp. Eds. Michel Sanouillet and Elmer Peterson. New York: Da Capo Press, 1973.

Eastman, Max. “Exploring the Soul and Healing the Body.” Everybody’s Magazine 32, no. 6 (June 1915): 741–50.

_______. “Mr. -er -er Oh! What’s his name? Ever Say That?” Everybody’s Magazine 33, no. 1 (July 1915): 95–103.

Eglinton, Laurie. “Marcel Duchamp, Back in America, Gives Interview.” Art News 32 (November 18, 1933): 3, 11.

Ellis, Havelock. Studies in the Psychology of Sex. Philadelphia: F. A. Davis Co., 1905.

D’Emilio, John, and Estelle B. Freedman. Intimate Matters: A History o Sexuality in America. New York: Harper & Row, 1988.

“The European Art Invasion.” Literary Digest, November 27, 1915, pp. 1224–25.

Frank, Robin Jaffee. Charles Demuth, Poster Portraits 1923–1929. New Haven: Yale University Art Gallery, 1995. Exh. cat.

Farnham, Emily. “Interview with Marcel Duchamp at New York City, January 21, 1956.” In Charles Demuth: His Life, Psychology and Works. Ph.D. diss., Ohio State University, 1959.

Frank, Waldo. The American Jungle. Freeport, N.Y.: Books for Libraries Press, 1937.

_______. Our America. New York: Boni and Liverwright, 1919.

“French Artists Spur On an American Art.” New York Tribune, October 24, 1915, sec. 4, pp. 2–3.

Freud, Sigmund. Interpretation of Dreams. 3rd ed. Trans. A. A. Brill. London: Allen and Unwin, 1923.

_______. Leonardo da Vinci, a Study in Psychosexuality. Trans. A. A. Brill. New York: Random House, 1916.

_______. Psychopathology of Everyday Day Life. Trans. A. A. Brill. New York: MacMillan Company, 1915.

_______. Three Contributions to the Theory of Sex. Trans. A. A. Brill. New York: Nervous and Mental Disease Publishing, Co., 1920.

Gleizes, Albert. “The Impersonality of American Art.” Playboy, nos. 4–5 (1919): 25–26.

Greeley-Smith, Nixola. “Cubist Depicts Love in Brass and Glass; More Art in Rubbers Than in Pretty-Girl!” The Evening World, April 4, 1916, p. 3.

Greenough, Sarah. Modern Art and America: Alfred Stieglitz and His New York Galleries. New York: Bulfinch Press, 2001. Exh. cat.

Hale, Nathan G., Jr. Freud and the Americans: The Beginnings of Psychoanalysis in the United States, 1876–1917. New York: Oxford University Press, 1971.

_______. “From Berggasse XIX to Central Park West: The Americanization of Psychoanalysis, 1919–1940.” Journal of the History of the Behavioral Sciences 14 (1978): 299–315.

Hamilton, George Heard. “Interview with Marcel Duchamp,” January 19, 1959. In The Art Newspaper 111, no. 15 (February 1992): 13.

D’Harnoncourt, Anne, and Kynaston McShine, eds. Marcel Duchamp. New York: Museum of Modern Art; and Philadelphia: Philadelphia Museum of Art, 1973. Exh. cat.

Hartley, Marsden. Adventures in the Arts. Reprint ed. New York: Hacker Art Books, 1972.

_______. “Picabia-Arch-Esthete.” In On Art. Ed. Gail Scott. New York: Horizon Press, 1982.

_______. Somehow a Past: The Autobiography of Marsden Hartley. Ed. Susan Elizabeth Ryan. Cambridge, Mass.: MIT Press, 1997.

Hoffman, Frederick J. Freudianism and the Literary Mind. 2nd ed. Lafayette: Louisiana State University Press, 1957

Izenberg, Gerald N. Modernism and Masculinity. Chicago: University of Chicago Press, 2000.

Jean Crotti and Suzanne Duchamp Papers, Archives of American Art, Smithsonian Institution.

Kreymbourg, Alfred. “Why Marcel Duchamps [sic] Calls Hash a Picture. Boston Evening Transcript, September 18, 1915, p. 2.

Kuenzli, Rudolf E., ed. New York Dada. New York: Willis Locker & Owens, 1986.

Kuenzli, Rudolf E., and Francis M. Naumann, eds. Marcel Duchamp: Artist of the Century. Cambridge, Mass.: MIT Press, 1996.

Lippmann, Walter. “Freud and the Layman.” The New Republic 11, no. 24 (April 17, 1915): 9–10.

Lowe, Sue Davidson. Stieglitz, A Memoir/Biography. New York: Farrar, Straus and Giroux, 1983.

Luhan, Mabel Dodge. Movers and Shakers. Albuquerque: University of New Mexico Press, 1985.

Lynes, Barbara Buhler. O’Keeffe, Stieglitz and the Critics, 1916–1929. Chicago: University of Chicago Press, 1989.

“Marcel Duchamp Visits New York.” Vanity Fair 5, no. 1 (September 1915): 157.

MSS [Manuscripts], nos. 1–5 (1922–23).

McDonnell, Patricia. Dictated by Life: Marsden Hartley’s German Paintings and and Robert Indiana’s Hartley ELegies. Minneapolis: Frederick R. Weisman Art Museum, 1995. Exh. cat.

_______. “‘Dictated by Life’: Spirituality in the Art of Marsden Hartley and Wassily Kandinsky, 1910–1915.” Archives of American Art Journal 29, nos. 1 and 2 (1989): 27–34.

Mellquist, Jerome, and Laurie Wiese. Paul Rosenfeld, Voyager in the Arts. New York: Creative Age Press, 1948.

Motherwell, Robert, ed. The Dada Painters and Poets. New York: Wittenborn, 1951.

Mumford, Lewis. “The Metropolitan Milieu.” In America and Alfred Stieglitz: A Collective Portrait. New York: Doubleday, Doran and Company, 1934, pp. 55–56.

Morgan, Ann Lee, ed. Dear Stieglitz, Dear Dove. Newark: University of Delaware Press, 1988.

Naumann, Francis M. “Amicalement, Marcel: Fourteen Letters from Marcel Duchamp to Walter Pach.” Archives of American Art 29, nos. 3 and 4 (1989): 36–50.

_______. Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction. New York: Achim Moeller Fine Art, and Harry N. Abrams, 2000. Exh. cat

_______. New York DADA, 1915–23. New York: Harry N. Abrams, Inc., 1994.

Naumann, Francis M., and Hector Oblak, eds. Affectionately Marcel: The Selected Correspondence of Marcel Duchamp. Trans. Jill Taylor. Ghent: Ludin Press, 2000.

Naumann, Francis M., and Beth Venn. Making Mischief: Dada Invades New York. New York: Whitney Museum of American Art, 1996. Exh. cat.

Norman, Dorothy. Alfred Stieglitz: An American Seer. New York: Aperture, 1960; and Random House, 1973.

“Nothing Is Here; Dada Is Its Name.” American Art News 19, no. 25 (1925): 1, 7.

O’Keeffe, Georgia. Georgia O’Keeffe: Arts and Letters. Ed. Jack Cowart et al. Washington, D.C.: National Gallery of Art, 1987.

“Picabia, Art Rebel, Here to Teach New Movement.” New York Times, February 16, 1913, sec. 5, p. 9.

Ring, Nancy. New York Dada and the Crisis of Masculinity: Man Ray, Francis Picabia and Marcel Duchamp. Ph.D. diss., Northwestern University, 1991.

Roberts, Francis. “I Propose to Strain the Law of Physics.” Art News 67, no. 8 (December 1968): 46–47, 62–65.

Rodgers, Timothy Robert. “False Memories: Alfred Stieglitz and the Development of the Nationalist Aesthetics.” In Over Here! Modernism, the First Exile. Providence: David Winton Bell Art Gallery, Brown University. Exh. cat.

Rongwrong, no. 1 (1917).

Rosenfeld, Paul. “American Painting.” The Dial 71 (December 1921): 649–70.

_______. Port of New York: Essays on Fourteen Americans. Reprint. Urbana: University of Illinois Press, 1961.

Seligmann, Herbert. Alfred Stieglitz Talking: Notes on Some of His Conversations, 1925–1931. New Haven: Yale University Press, 1966.

_______. “A Photographer Challenges.” The Nation 112 (February 16, 1921): 268.

The Seven Arts (1916).

Sherwood Anderson’s Memoirs: A Critical Edition. Ed. Ray Lewis. Chapel Hill: University of North Carolina Press, 1942.

Sherwood Anderson Papers, Newberry Library, Chicago.

Stearns, Harold E. “The Intellectual Life.” In Civilization in the United States: An Inquiry by Thirty Americans. New York: Harcourt, Brace & Co., 1922.

Tomkins, Calvin. Duchamp: A Biography. New York: Henry Holt, 1996.

Weinberg, Jonathan. Speaking for Vice: Homosexuality in the Art of Charles Demuth, Marsden Hartley, and the First American Avant-Garde. New Haven: Yale University Press, 1993.

Whelan, Richard. Alfred Stieglitz. Boston: Little, Brown, 1995.

White, Kevin. Sexual Liberation or Sexual License?: The American Revolt Against Victorianism. Chicago: Ivan R. Dee, 2000.

_______. The White Sexual Revolution: The Emergence of Male Heterosexuality in Modern America. New York: New York University Press, 1993.

Wilson, Edmund, Jr. “The Aesthetic Upheaval in France.” Vanity Fair 18, no. 6 (February 1922): 49, 100.

_______. “An Imaginary Conversation: Mr. Paul Rosenfeld and Mr. Matthew Josephson.” The New Republic 38 (April 9, 1924): 179–82.

_______. “Paul Rosenfeld.” The New Republic 43 (June 3, 1925): 48.

_______. “The Progress of Psychoanalysis.” Vanity Fair 14, no. 6 (August 1920): 86, 88.

_______. “The Stieglitz Exhibition.” The New Republic 41, no. 537 (March 18, 1925): 97–98.

Wood, Beatrice. I Shock Myself: The Autobiography of Beatrice Wood. Ed. Lindsay Smith. Ojai, Calif.: Dillington Press, 1985.

De Zayas, Marius. How, When and Why Modern Art Came to New York. Ed. Francis M. Naumann. Cambridge, Mass.: MIT Press, 1996.

_______. “The Sun Has Set.” Camera Work, no. 39 (1912): 228.

De Zayas, Marius, and Paul de Haviland. A Study of the Modern Evolution of Plastic Expression. New York, 1912.