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Lorna Simpson
Through December 2, 2007
One of the leading artists of her generation, Lorna Simpson first became well known in the mid-1980s, confronting and challenging conventional views toward gender, identity, culture, history, and memory with large-scale photograph and text works that are formally elegant and subtly provocative. The artist often focused on the figure, shown either faceless or with the body cropped, combined with fragments of text that confound the viewer's expectations of narrative and identity. By the mid-90s, Simpson began to concentrate on creating large multipanel photographs printed on felt. The softly sensual images depict urban locales as the site of public, yet unseen, couplings. More recently, the artist has turned to creating moving images. In film and video works such as Call Waiting, she features couples engaging in intimate yet incomplete conversations that elude easy interpretation but seem to plumb the mysteries of identity and desire. Exhibition Itinerary: Museum of Contemporary Art, Los Angeles (April 16–July 10, 2006); Miami Art Museum (October 5, 2006–February 4, 2007); Whitney Museum of American Art (March 1–May 6, 2007); Kalamazoo Institute of Arts (May 25–August 19, 2007); and the Gibbes Museum of Art, Charleston (September 7–December 2, 2007). For more information, contact Yvette Lee Crowley at 212.988.7700 ext. 236 or ycrowley@afaweb.org The exhibition is organized by the American Federation of Arts.
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Lorna Simpson |












