Surveying the grandeur and opulence of the Empire style—championed by Napoleon Bonaparte during his rule as emperor of France—this major exhibition included more than 250 objects drawn from the remarkable holdings of the Musée des Arts décoratifs-Paris and from prominent public and private collections in France.

The roots of the Empire style are traced to the late eighteenth century, when the classical vocabulary of Rome, as well as the archaeological discoveries of Pompeii and Herculaneum, captured the imaginations of a group of highly influential individuals. These include the painter Jacques-Louis David; the furniture maker Georges Jacob, who furnished David’s studio; and, most of all, the architects Charles Percier and Pierre-François Léonard Fontaine, who renovated Malmaison, the private country residence of Napoleon and Josephine. Napoleon quickly understood the power of ancient symbols to aggrandize his own ideas and promote and legitimize the image of the new French Republic. Soon after his coronation, he commissioned Percier and Fontaine to decorate his numerous state residences, and at the same time he actively exported this bold aesthetic throughout Europe.

Symbols of Power included examples of the public and the private manifestations of the Empire style, both characterized by the use of neo-classical motifs such as columns and arches from Rome, for instance, and acanthus leaves and laurel wreaths from Athens. With furniture and decorative objects commissioned by the state (including works associated with Napoleon), the exhibition conveyed the sumptuousness of the Empire style. It investigated the unusual combination of luxurious materials with austere forms that typify this style and signaled a clean break from the preceding stylistic delirium of the Rococo. The exhibition also examined the distillation of the hallmarks of the Empire style into a more intimate scale suitable for the growing bourgeois class. Installations reflected the totality of the Empire style, suggesting the complex juxtapositions of motifs and materials within interiors. Among the rich diversity of objects presented were furniture, textiles, clothing, jewelry, bronzes, silverware, porcelain, architectural studies, scenic wallpapers, and statues of Napoleon and Josephine. Odile Nouvel, Curator of Nineteenth-Century Art at the Musée des Arts décoratifs-Paris was guest curator of the project.

This major exhibition was accompanied by a fully illustrated catalogue with guest essays by scholars in the field and individual entries on each work.

Exhibition Itinerary: the Saint Louis Art Museum (June 17–September 16, 2007); the Museum of Fine Arts, Boston (October 21, 2007–January 27, 2008); and the Musée des Arts décoratifs-Paris (April 2–October 5, 2008).